Thursday, March 19, 2020

Bull Run essays

Bull Run essays Civil War Battles- Bull Run, Shiloh and Vicksburg The American Civil War- 1861 to 1895. A terrible four years. Four years of victory, defeat and death. Though, without it where would the United States of America be? Pulled apart or reconstructed and as one? When asked what is the Civil War people are most likely to say a war fought between the north and the south. Then when asked why they say because the north and the south had opposite views on subjects. Their answers are right. However when asked what happened in Vicksburg or Shiloh or even Bull Run few know. First Manassas or Bull Run was and important battle for the Yanks. If they beat the confederates Lees defense strategy would be ruined. Each side had there own strategy. McDowell strategy was to overwhelm Beauregard (confederate leader) at Manassas and have Patterson pin Johnstons force. McDowell was happy because he had a 3to 2 lead. McDowell lead his troop to Centreville, where the army would think about their attack on Beau regards troop. where strong but the Confederates stronger. With 24,000 men, the Confederates had less than the Union with 35,000 men. However, only 18,572 of the Union where in battle and 18,053 of the Confederates. They used 49 cannons each and the rest fought with their rifles. Each of them lost many people during the fighting. In one day the Union army had 460 killed, 1,124 wounded and 1,312 captured or missing, thats a total of 2, 896. On the other hand the Confederate army had 387 killed, 1,582 wounded and 13 captured or missing, thats a total of 1,982. The battle was fought with great honor. However most of the honor went to the Confederates. They won the battle and it was just one of their many victories Shiloh Tennessee, April 6, 1962- a town becomes a battlefield where hundreds will be wounded or captured or even die. ...

Tuesday, March 3, 2020

Term Schools Papers about Gospel Music

Term Schools Papers about Gospel Music Term Schools Papers about Gospel Music Term Schools Papers about Gospel Music Gospel music is inspirational. Writing term schools papers about gospel music you may explore the inspirational effect of the gospel music or research the history of the gospel music. This page has a good sample term paper about gospel music. It is short but you may find some good ideas to start writing your own term paper. unites professional writers and students from all over the world.You may try our free paper blog with detailed tips on term paper writing, check our term paper samples, or try our custom paper writing services. Sample Term Papers: Gospel Music Literate, urban blacks increasingly depended on rehearsed music sung by choirs or smaller vocal groups, indebted in style to arrangements of spirituals popularized by the various jubilee singing groups of the day. Congregational support came as hand clapping and supportive ejaculations, not as singing. Modern black gospel music derives from this stage, though its history is difficult to trace because of the virtual absence of written or recorded documentation. A handful of phonograph discs made by the Dinwiddie Colored Quartet and other groups in the first years of the present century confirm that the harmonically based jubilee style had spread to other areas of black vocal music; field recordings made in the rural South and in Southern prisons in the 1930s and '40s tell us that triadic, tonal vocalizing had extended to orally disseminated music and that the male quartet (usually featuring one or two exceptionally high tenor voices) had become a popular medium; commercial recordings made in the 1920s of both sacred and secular music document the vocal and rhythmic viruosity which had become part of these traditions. A flood of recordings by black male gospel quartets in the 1930s and '40s, by the Golden Gate Jubilee Quartet, the Famous Blue Jay Singers, the Kings of Harmony, the Soul Stirrers, and many others, preserve some of the most complex music for small vocal ensemble ever performed, while underlining the successful integration of harmonic and formal aspects of white music into the expression of intensely black religious and musical expression. Other recordings from the same period inform us of the early utilization of instruments in black religious music. The modern era of gospel music, taken by most scholars to begin with the compositions of C. A. Tindley and Thomas A. Dorsey, falls outside the scope of the present chapter. However, its most important musical impulses were surely derived from spirituals and jubilee songs of the decades leading up to Wor ld War I.It has been said that the blues "represent the full racial expression of the Negro, the expression of the emotional life of a race. This solo secular vocal form took shape at just the time the spiritual was emerging in the postwar South, and like the latter it reflects aspects of African style and expression modified by circumstances of black life in America: (The) intensely personal nature of blues-singing is the result of what can be called the Negro's "American experience." African songs dealt, as did the songs of a great many of the preliterate or classical civilizations, with the exploits of the social unit, usually the tribe.